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#20Updated Nov 09, 2026

B♭ blues · 4/4, swung

Blue Monk

Thelonious Monk

Core skills

Blues language, swing phrasing, seventh chords, motivic development.

E20
Swing, chromatic approach and silence
Swing phrasing, chromatic decoration and deliberate rests.

Why this piece

C Jam Blues introduced the form with minimal melodic complexity. Blue Monk adds a more characterful, chromatic blues melody and invites you to think about how a melodic idea relates to the underlying chords. It is a bridge from rhythm-only improvisation toward more intentional note choices.

Musical profile

  • Key / tonal centre: B♭ blues
  • Meter: 4/4, swung
  • Suggested version: Lead sheet, melody and simple left-hand dominant-seventh shells.

Representative harmony

12-bar dominant blues built around B♭7 (I7), E♭7 (IV7), F7 (V7), with Monk’s characteristic chromatic melodic touches.

Practice loop

[Blue Monk] I7:4 | IV7:4 | I7:4 | I7:4 | IV7:4 | IV7:4 | I7:4 | I7:4 | V7:4 | IV7:4 | I7:4 | V7:4

What to listen for

Keep the 12-bar form distinct from the melody: you can reharmonize lightly without losing where the IV and V bars occur.

What to learn

Learn the theme with accurate swing phrasing. Identify where the melody uses blues notes or chromatic approaches to structural chord tones. Accompany with roots and sevenths or third–seventh shells. Improvise a chorus by borrowing a short rhythmic motif from the theme, altering just its ending.

Practice checkpoint

Play the theme, one improvised chorus, and the theme again without dropping the form or losing the swing pulse.

Diagnostic drill · E20 — Swing, chromatic approach and silence

Target: Swing phrasing, chromatic decoration and deliberate rests.
Drill key / meter: B♭ blues · 4/4

Use this only when it addresses the current bottleneck. Skip it when the skill is already ready.

Steps

  1. LH plays an easy 12-bar blues with roots B♭7, E♭7 and F7 in the same I–IV–V pattern as E13.
  2. RH improvises with B♭ D♭ E♭ E F A♭ (B♭ blues scale). Start with short two- or three-note motifs and at least one full beat of silence after each phrase.
  3. Try approaching a target note (for example F) from a semitone below (E); resolve promptly and listen to the tension.

Ear task: Record a chorus and listen only to the rhythmic placement—not pitch complexity.

Transfer: Learn the actual Blue Monk melody and compare its chromatic movement with your improvised motifs.

Drill checkpoint: Two complete choruses with clear swing feeling, meaningful space and no lost 12-bar form.